Anything and Everything

American Apparel: Sleazy vs. Selling

Being an avid follower of latest brands and fashions, the recent uproar surrounding American Apparel has got me thinking about their somewhat sexual marketing techniques. Yes, i agree wholely with more volumptous models wearing their brands- but grinding in provocative poses and topless shoots have made me think about American Apparel’s controversial methods of selling. 

It’s clear the image suits the brand; you have to have some serious confidence to wear most of their ultra tight and ultra shiny products. But models splayed out in suggestive poses don’t do it for me as a woman and someone who would buy the products… to me it just screams ‘sleazy’.

What confuses me the most is the fact that women would buy these clothes; not men- yet their recent releases feature many a boob bearing model. While this isn’t always a bad thing- at least in the right context- i dont understand why women would be drawn to a brand that seem to be glorifying the idea of selling yourself short- or maybe showing off your best assets. (For me the groin shot above doesn’t exactly sell me the product, though).

The picture above is an advertisement for American Apparel’s riding pant; of which we can see almost none.The brand has always had a reputation for advertising outside the box- but this seems to have been taken a little too far. Several campaigns from the brand have featured models who look younger than 16 years of age who were often topless or bottomless. These were later pulled, but the question still remains; if American Apparel are causing so much controversy, why do they continue?

It’s simple. They’re achieving exactly what they wanted to. A talked about controversial brand who don’t give a toss about critics or haters. They are selling products; and well too- so why stop now when the headlines are probably boosting their sales? We will just have to get used to their head on approach to advertising; because if you don’t like it, you will definitely have to lump it.



MIKEL CEE KARLSONN & JUNIP COLLABORATION

It has taken me a few days to approach this one; and for a good reason too. I truly don’t know where to start with this- I am in awe of the Mikel Cee Karlsonn and Junip collaboration. José Gonzáles’s band Junip are famed for their placid folk acoustic style; but their new releases from their upcoming self titled album ‘Junip’ defy their usual laid back tone for something much more striking than before. If this new take on Junip’s style wasn’t enough for fans to handle, enter Swedish filmaker Mikel Cee Karlsonn. 

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Line of Fire and Your Life Your Call make up a two part continuation video, capturing a sinister love triangle between an old couple and a young gangly brace baring boy, who pops up at the end of the first instalment Line of Fire. We see a pair of children taking their first kiss whilst being watched through the keyhole by the boy’s religious father, followed by more awkward glitchy stills of the prolonged kiss the children are participating in. 

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The eery 70’s setting paired with the ambiguous almost stop motion scenes add an eery backdrop to the score, unravelling the strange events which glitch momentarily in front of us. Karlsonn’s shooting techniques have been linked to that of American David Lynch’s filming style; mostly resonating with his famous glitchy shots and similar backdrop in Twin Peaks Cooper’s dream.

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If watching a gyrating teenager fondle a plump old age lady wasn’t disturbing enough already, Mikel adds more of a sinister undertone with stills focusing on the teens face. A slightly demonic facial expression and glistening braces accompany the synth laced Junip soundtrack, leaving us with a powerful image that we feel the need to go back and watch just once more for clarification of the often confusing events which take place in the video. We are left hanging not knowing the outcome of the old couple’s relationship, with Karlsonn leaving us on a fiery cliffhanger. Did the old man kill her, or didn’t he? Lets just hope there is a third instalment to this eery but delightful insight into Karlsonn’s obscure world.

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Where To Start…

Being a blog virgin, i’ll start with what i’m comfortable with; art. Growing up in a village known as the ‘Forgotten Corner’ inspiration for drawing wasn’t hard to come by. The sweeping hills and tangled forests surrounding this serene lip of land have always inspired my art, but i don’t seem to draw anymore since my Degree kicked in. 

I still appreciate art immensely; being surrounded by artistic friends and family spurs me to keep my interest alive. I came across Andy Kehoe’s work: haunting yet warming little snippets which lead us into his crazed portrayal of life as he has seen and imagined it. Kehoe’s ‘about me’ section really made me chuckle; he talks of being brought up by Iguana’s on Galapagos and in another moment waking up naked on a cruse ship with women shrieking at his skeletal body. He tastes his first ever Kentucky bourbon which supposedly turned him into an American human who is now integrated into society- but he always dreams of his extravagant and often incoherent past life, which is prevalent in his work. 

His combination of oil, acrylic and resin on wood give his pieces an inviting homely feel, with often comical but dark images, such as his painting ‘Secret Meeting’ which features a black and a white cat stood holding hands in the middle of a bleak wheat scattered field. Beastly black skies encroach from the edges of the wood, adding a sombre theme to the piece. His sophisticated cartoon characters add a sense of playfulness whilst his dark and realistic dabbing of clouds bring us back to earth with a thud of realisation that this image isn’t just a picture of a couple of cats; but a relatable real life image of love and impending loss. 

My favourite’s from his 2012 collection have to be ‘Together at the Threshold’ and ‘A Messenger.’ What initially drew me to his work were his use of animals as a representation of humans- usually cats; and you can’t really go wrong with cats. The playful juxtaposition of the animals situated with their darkened surroundings, often of decrepit trees which seep in from the corners of the painting add a touch of stark beauty; a relatable image which constantly reminds us that ‘most of the time, this isn’t going your way, Brother.’

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                                      Together at the Threshold- Andy Kehoe